These synthetic microphone outputs formed the input to the Bell-Sejnowski Independent Components Analysis algorithm. The sources are somewhat separated in the output of the Bell-Sejnowski ICA algorithm, but not fully.
The same synthetic microphone outputs were then used as input to our new cICA algorithm (see my publications page for technical details). The sources are almost fully separated in the output of cICA.
Tracks 1-8 constitute the demo proper. Tracks 9 and 10 are bonus tracks, not on the original album!!!
track | description | length | 16-bit 44.1 kHz stereo | 16-bit 11.025 kHz mono |
1 | Narrator: Intro to contextual ica and description of demo | 1:30 | 15,541 kb | 1,945 kb |
2 | Narrator: ``Part 1: the outputs of the ten synthetic microphones'' | 0:05 | 816 kb | 103 kb |
3 | The outputs of the ten synthetic microphones | 1:00 | 10,228 kb | 1,280 kb |
4 | Narrator: ``Part 2: the ten sources recovered by the ICA algorithm'' | 0:05 | 888 kb | 112 kb |
5 | The ten sources recovered by the ICA algorithm | 1:00 | 10,228 kb | 1,280 kb |
6 | Narrator: ``Part 3: the ten sources recovered by contextual ICA'' | 0:06 | 932 kb | 118 kb |
7 | The ten sources recovered by contextual ICA | 1:00 | 10,228 kb | 1,280 kb |
8 | Narrator: Conclusion and future work | 0:13 | 2,104 kb | 264 kb |
9 | Narrator: ``The ten original sources'' | 0:03 | 400 kb | 52 kb |
10 | The ten original sources | 1:00 | 10,228 kb | 1,280 kb |
total | Tar file containing all tracks | 6:02 | 38,465 kb | 7,711 kb |
Although the demo used only ten audio sources, I have sixteen available for experiments. They are available in two forms, via the following pages: as .wav files, as compressed ascii text, and, for truly blind experiments, as ten pre-mixed .wav files, the same ones used in the demo above. There are also some notes describing exactly where these audio files came from.
In our experiments with cICA, we converted to mono and downsampled by a factor of five. For a truly fair comparison with another algorithm, you should do the same.